1. Februar 2019
If the Renaissance Man were alive today, how would he use his body of work to design a lighting collection? This is the inspiration for Maurice Dery’s latest avant-garde luminaire series
The Da Vinci collection is inspired by one question: If Leonardo, the great Renaissancian, were alive today, how would he incorporate 21st-century technology into his designs? Over the last ten months, this has been Karice’s inspiration and guide in creating this handcrafted luminaire series. In the fashion of Leonardo da Vinci, the theme revolves around machine gears, along with magnifiers that are used to intensify the light sources to mirrors, that can then redirect the light to the wall or floor. Using the latest in lighting, machining, and metalwork technology, the Karice’s Da Vinci collection brings the Italian Renaissance back to life, in avant-garde form. The light was designed, developed, and manufactured in Surrey, BC by the father-son design team at Karice Enterprises: Maurice and Jordan Dery.
The Da Vinci collection is based on the challenging premise of using modern technology to create an original avant-garde suite of luminaire pieces that accurately portray the spirit of what Leonardo was doing in the late 15th and early 16th centuries. Specifically, the objective was to reflect the mechanics of Da Vinci, and to reflect his approach in magnifying and projecting light. Unlike anything Maurice Dery and his award-winning team at Karice have created in the past, the Da Vinci collection demanded a reverence for history, and a resurrection of centuries-old lighting methodology. The task was not easy. Karice has taken on many “impossible” projects, but epic pieces like the Sprocket, for example, were purely from the heart of Maurice. But with this series, Maurice was searching for what inspired Da Vinci … alone.
Honouring the Renaissancian tradition required months of historical research. This was followed by extensive prototyping and development, beginning with the design and experimentation of the intricate gear components that form the core aesthetic of the collection’s feature piece, the Leonardo 1482. The Leonardo 1482 poetically resembles a rising sun, borrowing heavily from Renaissance-era mechanics, and is appropriately named for the year Leonardo da Vinci began designing and developing his inventions. The Vitruvian Table Lamp complements the 1482, with correlating expression. In honour of Da Vinci’s Vitruvian Man, the Table Lamp speaks to the geometric purity and deconstructed anatomy this series reveals. To complete the collection, the Infinity 1519 is an avant-garde luminaire symbolizing a setting sun, as 1519 was the year Leonardo da Vinci passed away. The ringed capsule has a seemingly endless horizon, so the sightline is infinite. It can be displayed as a hanging pendant or suspended within a half-moon table lamp.
Together, the corresponding pieces honour the story of history’s greatest designer: A mechanically-minded, artisan inventor—Leonardo da Vinci.
Images: Jordan N. Dery